| AFRC 3934 | Cinema on the Brink of Revolution | 1 |
| ARTH 2952 | Global Film Theory | 1 |
| ARTH 2954 | Collecting Media | 1 |
| ARTH 3782 | Local Media | 1 |
| ARTH 3901 | Romantic Comedy | 1 |
| ARTH 3913 | Documentary Cinema | 1 |
| ARTH 3959 | The Politics of Truth in the Global Documentary | 1 |
| ARTH 6952 | Global Film Theory | 1 |
| ARTH 7782 | Local Media | 1 |
| CIMS 0021 | Study of a Theme in Cinema | 1 |
| CIMS 0201 | Sci-Fi Cinema | 1 |
| CIMS 0578 | Benjamin Franklin Seminar: The Contemporary Graphic Novel | 1 |
| CIMS 0590 | Benjamin Franklin Seminar: Film Studies | 1 |
| CIMS 1055 | Books on Film: Adapting the Victorians | 1 |
| CIMS 2001 | Modern Science Fiction Cinema | 1 |
| CIMS 2013 | Documentary Cinema | 1 |
| CIMS 2021 | Romantic Comedy | 1 |
| CIMS 2083 | Faking it: Liars, Imitators and Cheats in Literature and Film | 1 |
| CIMS 2665 | Fakes, Forgeries and Forensics in Digital Media | 1 |
| CIMS 2666 | Algorithmic Ethics | 1 |
| CIMS 2667 | Making Media | 1 |
| CIMS 2810 | Method Acting: From Self to Stage and Screen | 1 |
| CIMS 2830 | Backstage Drama in Theatre and Film | 1 |
| CIMS 2943 | The Politics of Truth in the Global Documentary | 1 |
| CIMS 2953 | Digital Infrastructures & Platforms | 1 |
| CIMS 2954 | Collecting Media | 1 |
| CIMS 3070 | Pier Paolo Pasolini : Aesthetics, Politics, Sexuality | 1 |
| CIMS 3300 | Global Film Theory | 1 |
| CIMS 3350 | Global Genres: Western, Horror, Road Movie | 1 |
| CIMS 3510 | TV and Politics | 1 |
| CIMS 3670 | What's Love Got To Do With It?: Art and Desire | 1 |
| CIMS 3782 | Local Media | 1 |
| CIMS 3934 | Cinema on the Brink of Revolution | 1 |
| CIMS 5010 | Environmental Documentary Media | 1 |
| CIMS 5045 | Film, Revolution, and the 1960s | 1 |
| CIMS 5400 | Mediating Doubt | 1 |
| CIMS 5555 | Queer European Cinema | 1 |
| CIMS 5901 | The Lessons of Horror | 1 |
| CIMS 5925 | The Language of Comics | 1 |
| CIMS 5934 | The Politics of Truth in the Global Documentary | 1 |
| CIMS 6001 | Theory and Methods | 1 |
| CIMS 6060 | Theory Proseminar: A Critique of Violence | 1 |
| CIMS 6070 | Pier Paolo Pasolini: Aesthetics, Politics, Sexuality | 1 |
| CIMS 6300 | Global Film Theory | 1 |
| CIMS 6782 | Local Media | 1 |
| CIMS 6954 | Collecting Media | 1 |
| COML 0021 | Study of a Theme in Cinema | 1 |
| COML 0590 | Benjamin Franklin Seminar: Film Studies | 1 |
| COML 2083 | Faking it: Liars, Imitators and Cheats in Literature and Film | 1 |
| COML 2943 | The Politics of Truth in the Global Documentary | 1 |
| COML 3303 | Global Film Theory | 1 |
| COML 5902 | The Lessons of Horror | 1 |
| COML 5925 | The Language of Comics | 1 |
| COML 5934 | The Politics of Truth in the Global Documentary | 1 |
| COML 6060 | Theory Proseminar: A Critique of Violence | 1 |
| COML 6592 | Global Film Theory | 1 |
| EALC 6311 | Film, Revolution, and the 1960s | 1 |
| ENGL 0021 | Study of a Theme in Cinema | 1 |
| ENGL 0578 | Benjamin Franklin Seminar: The Contemporary Graphic Novel | 1 |
| ENGL 0590 | Benjamin Franklin Seminar: Film Studies | 1 |
| ENGL 1055 | Books on Film: Adapting the Victorians | 1 |
| ENGL 1430 | From the Uncanny to Horror: Film and Psychoanalysis | 1 |
| ENGL 1896 | Backstage Drama in Theatre and Film | 1 |
| ENGL 2083 | Faking it: Liars, Imitators and Cheats in Literature and Film | 1 |
| ENGL 2665 | Fakes, Forgeries and Forensics in Digital Media | 1 |
| ENGL 2666 | Algorithmic Ethics | 1 |
| ENGL 2882 | Method Acting: From Self to Stage and Screen | 1 |
| ENGL 2902 | Global Film Theory | 1 |
| ENGL 2940 | Documentary Cinema | 1 |
| ENGL 2942 | Romantic Comedy | 1 |
| ENGL 2943 | The Politics of Truth in the Global Documentary | 1 |
| ENGL 2953 | Digital Infrastructures & Platforms | 1 |
| ENGL 2954 | Collecting Media | 1 |
| ENGL 2982 | Local Media | 1 |
| ENGL 3670 | What's Love Got To Do With It?: Art and Desire | 1 |
| ENGL 5045 | Film, Revolution, and the 1960s | 1 |
| ENGL 5901 | The Lessons of Horror | 1 |
| ENGL 5925 | The Language of Comics | 1 |
| ENGL 5934 | The Politics of Truth in the Global Documentary | 1 |
| ENGL 6782 | Local Media | 1 |
| FIGS 5550 | Queer European Cinema | 1 |
| FIGS 6060 | Theory Proseminar: A Critique of Violence | 1 |
| GSWS 3070 | Pier Paolo Pasolini : Aesthetics, Politics, Sexuality | 1 |
| GSWS 3300 | Global Film Theory | 1 |
| GSWS 3520 | Death and the Sacred in Queer Cinema | 1 |
| GSWS 3670 | What's Love Got To Do With It?: Art and Desire | 1 |
| GSWS 5555 | Queer European Cinema | 1 |
| GSWS 6070 | Pier Paolo Pasolini: Aesthetics, Politics, Sexuality | 1 |
| GSWS 6300 | Global Film Theory | 1 |
| ITAL 3070 | Pier Paolo Pasolini : Aesthetics, Politics, Sexuality | 1 |
| ITAL 6070 | Pier Paolo Pasolini: Aesthetics, Politics, Sexuality | 1 |
| LALS 3670 | What's Love Got To Do With It?: Art and Desire | 1 |
| LALS 3934 | Cinema on the Brink of Revolution | 1 |
| PHIL 2381 | Philosophy and Film | 1 |
| PSCI 3934 | Cinema on the Brink of Revolution | 1 |
| REES 6285 | Film, Revolution, and the 1960s | 1 |
| REES 6286 | The Politics of Truth in the Global Documentary | 1 |
| STSC 2692 | Digital Infrastructures & Platforms | 1 |
| THAR 2810 | Method Acting: From Self to Stage and Screen | 1 |
| THAR 2830 | Backstage Drama in Theatre and Film | 1 |
| URBS 3782 | Local Media | 1 |
| URBS 6782 | Local Media | 1 |